Peter Westwood

Peter Westwood is an artist, curator, arts writer, and a university academic. His work is focused on ideas of being within unsettled conditions in our current times. In examining this Peter has worked in various media, however his practice is primarily formed through a long-standing preoccupation and interest in painting, printmaking, and drawing. 
His work embodies and comments on perpetual change as a way of articulating Contemporaneity. Throughout his career his practice has focused on feelings of capriciousness, volatility, coming into being-ness, fleetingness, and multiplicity through atmospheres in his works that evoke instability and uncertainty. The experience of his creative works reveals ideas of our times as an unending transition, in turn provoking the viewer to reflect upon self, flux, and impermanence.
Peter considers the encounter with an artwork as an immanent experience, as much an ‘event’ as a ‘thing’. Through materiality coalescing with imagery, his works appear to present a type of inexplicable cognizance, rather than a representation, imitation or affect. Generally, Peter’s work embodies a ‘something’ that may only ever be alluded to visually.
Peter has been included in group, and individual exhibitions in public and commercial galleries in Australia and overseas. He has also curated exhibition projects over several decades in Australia, and periodically overseas, and is represented by Boutwell Schabrowsky Gallery in Munich, Germany and Blockprojects Gallery in Naarm/Melbourne, Australia.

ARTWORKS

Accelerants, 2019

Oil on Linen
100.0 x 120.0 cm

Copyright the artist

Taxonomies, 2019

Oil on cavas
97.0 x 118.0 cm

Copyright the artist

You can get stuck, but with too much change you go chaotic, 2021

Oil on canvas
138.0 x 125.0 cm

Copyright the artist

Charlatan, 2019

Oil on Linen
91.0 x 66.0 cm

Copyright the artist

Fears may persist, 2019/20

Oil on canvas
120.0 x 85.5 cm

Copyright the artist

Negative horizon

Oil on canvas
130.0 x 140.0 cm

Copyright the artist

Fugitive Energies, 2019

Oil on Linen
132.0 x 92.0 cm

Copyright the artist

The moment everything happened, 2021

Oil on canvas
108.0 x 188.0 cm

Copyright the artist

The Fantastic Narrative, 2020

Oil on linen
130.0 X 90.0 cm

Copyright the artist

Eyes, eyes, eyes, eyes, 2021

Oil on linen
131.0 X 122.0 cm

Copyright the artist

Field of Sorrow (Untethered), 2021

Oil on canvas, cotton hand-coloured threads
166.0 x 125.0 cm

Copyright the artist

Love is a Whirlwind 2022

Pastels and Acrylic on Paper
60.0 x 45.0 cm

Copyright the artist

No plan, 2012

Oil on linen
153.0 x 175.0 cm

Copyright the artist

No change, much the same, 2017

Oil on Linen
140.0 x 101.0 cm

Copyright the artist

Tomorrow + Tomorrow

Oil on canvas, beads
145.0 x 101.0 cm

Copyright the artist

Our Father's Effect, 2015-17

Oil on linen
86.0 x 96.0 cm

Copyright the artist

Inside of this, 2013

Oil on linen
112.0 x 112.0 cm

Copyright the artist

All of this is true, most of it happened, 2021

Oil on linen
164.0 X 125.0 cm

Copyright the artist

What is the Story for Tomorrow? 2019

Oil on linen
97.0 x 137.0 cm

Copyright the artist

My fears are about things that I've never really seen, 2020

Oil on linen
120.5 x 93.0 cm

Copyright the artist


Agent Object Subject, 2024

Copyright Peter Westwood

No one wanted to let the precious liquid out so they stored it carefully and held on to it tightly, 2024

Screen print
Acrylic on BFK Rives paper, white 280gsm.
67.0 x 51.0 cm (Edition 1/6)

Copyright Peter Westwood


What happens when we don't hold to something, 2024



Copyright Peter Westwood

Minor Malfunction, 2024

Acrylic on paper
55.0 x 75.0 cm

Copyright Peter Westwood


No sign of anything stopping, 2024

Screen print
Acrylic on BFK Rives paper, white 280gsm.
63.0 x 50,5 cm (Edition 1/6)

Copyright Peter Westwood

Minor Malfunction, 2024

Acrylic on paper
55.0 x 75.0 cm

Copyright Peter Westwood


Aftermath, 2024

Copyright Peter Westwood

The undoing of an action, 2024

Screen print
Acrylic on BFK Rives paper, white 280gsm.
59.5 x 52.0 cm (Edition 1/6)

Copyright Peter Westwood


EXHIBITIONS

Peter Westwood

What happened during the off season

1st December 2022 - 21st January 2023

Peter Westwood

What is the Story for Tomorrow?

27th June - 31st August 2019

Summer Exhibition

Group Show

7th July - 8th September 2018

BIOGRAPHY

Education

PhD, RMIT University

Certificate IV Education, RMIT University

Master of Arts Research, Monash University

Graduate Diploma in Education, University of Melbourne Graduate Diploma of Fine Art, RMIT University

Diploma of Fine Art, Federation University

Solo Exhibitions (Selected)

2024 The new way to live, Blockprojects Gallery, Naarm/Melbourne, Australia

2022 What happened during the off season, Boutwell Schabrowsky Gallery, Munich, Germany

2022 Caught by surprise, Hochschule für Bildende Künste Braunschweig (HBK) Gallery, Braunschweig, Germany

2021 Painting as a marker of change, SITE 8 Gallery, School of Art, RMIT University Naarm/Melbourne, Australia

2019 What is the Story for Tomorrow? Boutwell Schabrowsky Gallery, Munich, Germany

2017 Afterall, NKN Gallery, Naarm/Melbourne, Australia

2015 The Poor Hospital (passage and fate), Blockprojects Gallery, Naarm/Melbourne, Australia

2013 Drive, Blindside, Naarm/Melbourne, Australia

2013 Staring back at the world, Boutwell Draper Gallery, Eora/Sydney, Australia

2011 Look out, Jenny Port Gallery, Naarm/Melbourne, Australia

2010 Dieback, Jenny Port Gallery, Naarm/Melbourne, Australia

2009 48 Portraits, Jenny Port Gallery, Naarm/Melbourne, Australia

2006 Hard Times, The Doll’s House, Naarm/Melbourne, Australia

2004 Shape, Crossley and Scott Gallery, Naarm/Melbourne, Australia

2004 Differences, Crossley and Scott Gallery, Naarm/Melbourne, Australia

1996 Things that have happened, Temple Studio, Naarm/Melbourne, Australia

1995 Fruit of the forest, School of Art Gallery, Monash University, Naarm/Melbourne, Australia

1992 Procession, Powell Street Gallery, Naarm/Melbourne, Australia

1990 Untitled (Paintings), Powell Street Gallery, Naarm/Melbourne, Australia

1989 Assemblages, Reconnaissance Gallery, Naarm/Melbourne, Australia

1988 Paintings, Reconnaissance Gallery, Naarm/Melbourne, Australia

1986 Drawings, Reconnaissance Gallery, Naarm/Melbourne, Australia

Group Exhibitions (Selected, recent)


2023 Unbecoming, Jacob Hoerner Galleries, Naarm/Melbourne, Australia. Curated by David Palliser and Julia Powles

2022 All you need is love, Shau Fenster, Berlin, Germany. Curated by Berthe Bosse and Thomas Rentmeister.

2021 2021 Geelong Contemporary Art Prize (finalist), Geelong Art Gallery, Geelong, Australia

2020 How Soon is Now, Blockprojects Gallery, Naarm/Melbourne, Australia

2020 The new ab/normal, RMIT Gallery, RMIT University, Naarm/Melbourne, Australia Curated by Dr Tammy Hulbert & Helen Rayment

2019 Spring 1883 Art Fair, Blockprojects Gallery, Eora/Sydney, Australia

2018 Spring 1883 Art Fair, Blockprojects Gallery, Naarm/Melbourne, Australia

2018 Group show, Boutwell Schabrowsky Gallery, Munich, Germany

2016 Painting, More Painting, The Australian Centre for Contemporary Art, Naarm/Melbourne, Australia. Exhibition curated by Max Delany (Artistic Director), Annika Kristensen and Hannah Mathews.

2016 Finalist: 2016 Calleen Art Award, Ngoura/Cowra Regional Art Gallery, Australia

2016 Finalist: 2016 Bayside Acquisitive Art Award, Bayside Arts and Cultural Centre, Naarm/Melbourne, Australia.

2015 The Door in the Wall, curated by Verity Hayward and Lucie McIntosh, Blindside ARI, Naarm/Melbourne, Australia.

2014 Head: Incidents Above a Bar (part 4), curated by Louise Paramor and Lisa Young, The Alderman, Naarm/Melbourne, Australia.

2014 Asteroid, Winter Spinnerei 2014, Leipzig International Artist in Residence Program (LIA), Spinnerei Arts Complex, Leipzig, Germany

2013 Reading the Space: Contemporary Australian Drawing #3, New York Studio School, New York, USA

2012 A place to eat from, Michael Jäger Collection, Atelier Dorrit Nebe, Cologne, Germany

2012 People ... ahh People, Gallery Mesh, Seoul, South Korea; curator Mihwa Park

2012 The Rick Amor Drawing Prize, The Art Gallery of Ballarat, Ballaarat/Ballarat, Australia

2012 Contemporary Australian Drawing #2: drawing as notation, text and discovery, University of Arts London, UK. Curator Dr Irene Barberis

2011 Crossing the Line: Drawing in the Middle East, intersections of understanding, Gallery Tashkeel & American University United Arab Emirates (UAE). Curated by Princess Shiekha Latifa and Dr Irene Barberis, Dubai

2010 2010: How can a Network.....? The South Project, curator Zara Stanhope, West Wing (part of West Space Gallery, Naarm/Melbourne, Australia.

2010 1918 ArtSPACE, No,20 Moganshan Rd, Shanghai, PR China

2010 2010 National Works on Paper (invitation), Mornington Peninsula Regional Gallery, Mornington, Australia

2010 Magnetic Islands, Project Space and Spare Room Gallery, RMIT University – a joint survey of contemporary drawing from Seoul University, RMIT University and the University of Arts London, Naarm/Melbourne, Australia.

2010 Distinction, 99 Creative Centre, Shanghai University Academy of Fine Arts, M50 Moganshan Lu Arts Complex; curator Song Kexi; writer/theorist Dr Qui Min., Shanghai, PR China

2009-2010 The Shilo Project, curator Dr Chris McAuliffe

2009-2010 The Ian Potter Museum of Art, the University of Melbourne, Naarm/Melbourne, Australia.

2009-2010 National Exhibitions Touring Support to Mildura Arts Centre, SH Ervin Gallery, Sydney,

2009-2010 Warrnambool Art Gallery, Wangaratta Exhibitions Gallery, Gippsland Art Gallery, Australia

2009-2010 Imagine, The Art Gallery of Ballarat, Ballaarat/Ballarat, Australia

2008 The Mars Project, Project Space and Spare Room Gallery, RMIT University, Naarm/Melbourne, Australia.

2007 Eye to ‘I’ - the self in recent art, curator Geoff Wallis

2007 The Art Gallery of Ballarat. National Exhibitions Touring Support to Warrnambool Regional Art Gallery, Hamilton Art Gallery, Australia

2006 Robert Jacks Drawing Prize, Bendigo Regional Gallery, dja dja wurrung/Bendigo, Australia

Collaborative Project (Recent)

2024 We Are Too Much And We Are Not Enough, Verein für Original-Radierung, Munich, Germany. Two-person exhibition: Julia Powles and Peter Westwood

Representation in Permanent Public Collections

Art Bank, Eora/Sydney, Australia.

Art Gallery of Ballarat, Ballaarat/Ballarat. Painting Collection and the Prints and Drawing Collection, Australia

Auckland Art Gallery/Toi O Tamaki, Auckland, New Zealand.

Bayside City Council Art & Heritage Collection, Naarm/Melbourne, Australia.

Geelong Art Gallery, Djilang/Geelong, Australia.

National Gallery of Victoria (NGV), Naarm/Melbourne, Australia. Works included in the Painting Collection (Shell Collection and the Michelle Endowment Collection) and the Prints and Drawing Collection.

RMIT University, Naarm/Melbourne, Australia.

Victoria University, Naarm/Melbourne, Australia.

Wollongong City Gallery, Woolyungah/Wollongong, Australia.